African Cosmologies: Photography, Time, and the Other
First edition of African Cosmologies: Photography, Time, and the Other (2020)
First impression
Large format hardback in new condition
Published by Schilt Publishing
About
For nearly forty years, FotoFest has presented and worked with artists, photographers, and thinkers from Japan, Latin America, Korea, China, Russia, and the Arab Region, and it is the first time in the Biennial’s 37-year history that the central exhibition will focus on artists of African origin.
“FotoFest has a long history of international engagement, and we are especially excited to be working with photographers from Africa and its diaspora in 2020.”
– Steven Evans, executive director of FotoFest.
In their unique practices, the featured artists turn an eye to social, cultural, and political conditions that inform and influence concepts of representation as they pertain to image production and circulation in Africa and beyond. These artists question the ways in which subjectivity is constructed and deconstructed by the camera, and in the process, reveal legacies of resistance by those who defy traditional ideas of sexual, racial, gender-based, and other marginalized identities.
Original: $67.10
-65%$67.10
$23.48
Description
First edition of African Cosmologies: Photography, Time, and the Other (2020)
First impression
Large format hardback in new condition
Published by Schilt Publishing
About
For nearly forty years, FotoFest has presented and worked with artists, photographers, and thinkers from Japan, Latin America, Korea, China, Russia, and the Arab Region, and it is the first time in the Biennial’s 37-year history that the central exhibition will focus on artists of African origin.
“FotoFest has a long history of international engagement, and we are especially excited to be working with photographers from Africa and its diaspora in 2020.”
– Steven Evans, executive director of FotoFest.
In their unique practices, the featured artists turn an eye to social, cultural, and political conditions that inform and influence concepts of representation as they pertain to image production and circulation in Africa and beyond. These artists question the ways in which subjectivity is constructed and deconstructed by the camera, and in the process, reveal legacies of resistance by those who defy traditional ideas of sexual, racial, gender-based, and other marginalized identities.
