Arena
CHOOSE BETWEEN A SIGNED OR AN UNSIGNED COPY
Arena by Jeff Mermelstein. First edition (2019). First impression. Large format hardback in new condition. No markings. This is a new book. Please see pictures. PayPal accepted, any questions please get in touch.
Please note that the signed copies are signed by Jeff Mermelstein to title page.
About Arena
Arena was shot during a four year tenure that began in 2012 on the day Barclays Center in Brooklyn first opened its doors to the public. Charged with the extraordinary commission to photograph over 350 events held in Barclays’ first years. Arena marks a particularly prolific period of Jeff Mermelstein’s career. Though known for works created against the backdrop of the streets of NYC, Mermelstein here moves inward through the lobbies, hallways, and snaking corridors that funnel spectator and staff alike toward the center’s hallowed stage. He maneuvers through the shuffling crowds, slowing down, crouching low, casting his gaze toward the pedestrian and discarded to illuminate a new path: a vision leading away from the main attraction, back towards the uncommon-common. Mermelstein revels in the vibrant-uncanny embedded in the overlooked and mundane.
Original: $80.52
-65%$80.52
$28.18
Description
CHOOSE BETWEEN A SIGNED OR AN UNSIGNED COPY
Arena by Jeff Mermelstein. First edition (2019). First impression. Large format hardback in new condition. No markings. This is a new book. Please see pictures. PayPal accepted, any questions please get in touch.
Please note that the signed copies are signed by Jeff Mermelstein to title page.
About Arena
Arena was shot during a four year tenure that began in 2012 on the day Barclays Center in Brooklyn first opened its doors to the public. Charged with the extraordinary commission to photograph over 350 events held in Barclays’ first years. Arena marks a particularly prolific period of Jeff Mermelstein’s career. Though known for works created against the backdrop of the streets of NYC, Mermelstein here moves inward through the lobbies, hallways, and snaking corridors that funnel spectator and staff alike toward the center’s hallowed stage. He maneuvers through the shuffling crowds, slowing down, crouching low, casting his gaze toward the pedestrian and discarded to illuminate a new path: a vision leading away from the main attraction, back towards the uncommon-common. Mermelstein revels in the vibrant-uncanny embedded in the overlooked and mundane.
