Libyan Sugar
CHOOSE BETWEEN A FIRST SIGNED OR A SECOND UNSIGNED EDITION
About the first edition:
First edition (2016)
Medium format hardback in near fine condition
Signed by Michael Christopher Brown to front end page
General wear to cover, there is a small soft bump to bottom corner of front cover along with slight tearing
Pages clean, binding firm
About the second edition:
Second edition (2017)
In new condition
No markings
Removed from original shrinkwrap only to be photographed
About Libyan Sugar
In the short essay that opens his book Libyan Sugar, Michael Christopher Brown offers a succinct but poignant written description. In the desert, there would sometimes only be a smell of metal, of smoking scraps of tanks or rockets, and there would sometimes be a feeling that at any moment the place where one stood might vanish. That sensorial evocation lays the first bricks for the remarkable sense of place. Consequently Brown builds throughout his entire body of work. The world of Libyan Sugar is vividly real and tense. A masterful vision of war that is also close and personal. The intimate details Brown sprinkles throughout the text immerse us in his experience. As readers, we feel that we are growing alongside the photographer as he explores his new milieu.
Original: $93.94
-65%$93.94
$32.88
Description
CHOOSE BETWEEN A FIRST SIGNED OR A SECOND UNSIGNED EDITION
About the first edition:
First edition (2016)
Medium format hardback in near fine condition
Signed by Michael Christopher Brown to front end page
General wear to cover, there is a small soft bump to bottom corner of front cover along with slight tearing
Pages clean, binding firm
About the second edition:
Second edition (2017)
In new condition
No markings
Removed from original shrinkwrap only to be photographed
About Libyan Sugar
In the short essay that opens his book Libyan Sugar, Michael Christopher Brown offers a succinct but poignant written description. In the desert, there would sometimes only be a smell of metal, of smoking scraps of tanks or rockets, and there would sometimes be a feeling that at any moment the place where one stood might vanish. That sensorial evocation lays the first bricks for the remarkable sense of place. Consequently Brown builds throughout his entire body of work. The world of Libyan Sugar is vividly real and tense. A masterful vision of war that is also close and personal. The intimate details Brown sprinkles throughout the text immerse us in his experience. As readers, we feel that we are growing alongside the photographer as he explores his new milieu.