Like A One-Eyed Cat
Like A One-Eyed Cat: Photographs by Lee Friedlander from 1956-1987
First Edition, Published by Harry N. Abrams 1989
Large Format hardback
Please note the unsigned copy is in as new condition
The signed copy is signed by Freedlander to title page. In fine condition. Some minor wear to extremities of dust jacket (in near fine condition), there is also a slight tear on the top of the back, noiw in a removable protective sleeve. No internal markings except very slight toning to extremities of pages. Binding firm.
Please note the paperback copies are in new condition and are unsigned
About
This major monograph was published on the occasion of a retrospective exhibition at the Seattle Art Museum. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work.
Original: $53.68
-65%$53.68
$18.79
Description
Like A One-Eyed Cat: Photographs by Lee Friedlander from 1956-1987
First Edition, Published by Harry N. Abrams 1989
Large Format hardback
Please note the unsigned copy is in as new condition
The signed copy is signed by Freedlander to title page. In fine condition. Some minor wear to extremities of dust jacket (in near fine condition), there is also a slight tear on the top of the back, noiw in a removable protective sleeve. No internal markings except very slight toning to extremities of pages. Binding firm.
Please note the paperback copies are in new condition and are unsigned
About
This major monograph was published on the occasion of a retrospective exhibition at the Seattle Art Museum. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work.
