Time Isn't Holding Us
PRE-ORDER ONLY / SHIPPING END OF JUNE
First edition of Time Isn't Holding Us by Joakim Möller (2026)
Specifications
- Hardback
- 240 x 180 mm
- 96 pages
- 92 images
- In a limited edition of 1000 copies
About the Special edition with Prints
- Each print is in an edition of 20 numbered and stamped copies
- Accompanied by a signed and numbered artist label
- Printed on Hahnemühle Pearl paper
- Print size: "Internal Sky", "Observation" and "Rare Window" - approx. 20 x 16 cm; "Reaching" - approx. 23 x 16cm
Please note that the special edition will go up in price in increments as the edition sells through
About
Time Isn't Holding Us is the debut monograph of Joakim Möller (b. 1999). This collection offers a comprehensive visual journey, uniting the various facets of Möller’s practice; from traditional street photography to the surreal narratives created through his meticulous use of diptychs.
Joakim's images capture striking urban moments through dramatic compositions and a distinctive use of black and white, drawing attention to the subtle tensions and poetry of everyday life. His photographs are not driven by a predefined message or theoretical framework; instead, they function as fragments of a personal visual diary.
Original: $53.68
-65%$53.68
$18.79
Description
PRE-ORDER ONLY / SHIPPING END OF JUNE
First edition of Time Isn't Holding Us by Joakim Möller (2026)
Specifications
- Hardback
- 240 x 180 mm
- 96 pages
- 92 images
- In a limited edition of 1000 copies
About the Special edition with Prints
- Each print is in an edition of 20 numbered and stamped copies
- Accompanied by a signed and numbered artist label
- Printed on Hahnemühle Pearl paper
- Print size: "Internal Sky", "Observation" and "Rare Window" - approx. 20 x 16 cm; "Reaching" - approx. 23 x 16cm
Please note that the special edition will go up in price in increments as the edition sells through
About
Time Isn't Holding Us is the debut monograph of Joakim Möller (b. 1999). This collection offers a comprehensive visual journey, uniting the various facets of Möller’s practice; from traditional street photography to the surreal narratives created through his meticulous use of diptychs.
Joakim's images capture striking urban moments through dramatic compositions and a distinctive use of black and white, drawing attention to the subtle tensions and poetry of everyday life. His photographs are not driven by a predefined message or theoretical framework; instead, they function as fragments of a personal visual diary.
